심리학의 원리/심리학의 원리two
심리학의 원리/심리학의 원리two
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Professor Stricker says that in his own case no auditory image enters into the words of which he thinks. Like most psychologists, however, he makes of his personal peculiarities a rule, and says that verbal thinking is normally and universally an exclusively motor representation. That, however, soon vanishes, as does also the difficulty of thinking of one vowel whilst continuously sounding another. In thinking of a soldier marching, for example, it is as if he were helping the image to march by marching himself in his rear. The first breaker of ground in this direction was Fechner, in 1860. Fechner was gifted with unusual talent for subjective observation, and in chapter xliv of his 'Psychophysik' he gave the results of a most careful comparison of his own optical after-images, with his optical memory-pictures, together with accounts by several other individuals of their optical memory-pictures. Galton, the publication of whose results in 1880 may be said to have made an era in descriptive Psychology. In one it will throw a much-used brain-tract out of gear; in the other it may affect an unimportant region. Here will we house ourselves in quiet.
I, p. 473 ff., especially the note to page 477), and I would not touch upon the matter at all here but for its historical interest. There are imaginations, not 'the Imagination,' and they must be studied in detail. The same local cerebral injury must needs work different practical results in persons who differ in this way. The bodily symptoms of the Salpétrière patients are all of them results of expectation and training. Not only were ideas copies of original impressions made on the sense-organs, but they were, according to him, completely adequate copies, and were all so separate from each other as to possess no manner of connection. The only areas where McGwire has an advantage is in on base percentage (which is more a function of the era he played in - McGriff's OBP is very close), slugging percentage and HR. And I may mean all mankind, with perhaps a very sharp image of one man in my mind's eye. In some individuals the habitual 'thought-stuff,' if one may so call it, is visual; in others it is auditory, articulatory, or motor; in most, perhaps, it is evenly mixed. I may bewail the indistinctness of my mental image of my absent friend.
The movements of articulate speech play a predominant aspect in his mental lifetime. When the psychological photos are of information freely merged, and reproducing no previous mixture just, We now have acts of creativity correctly so referred to as. Fate this kind of bold, untrammelled spirit gave him, As forwards, onwards, at any time have to endure; Whose above-hasty impulse drave him Earlier earthly joys he could safe. I feel thee draw my coronary heart, soak up, exhaust me: Thou will have to! As regards the ventilation or heating of rooms, we've been apt to come to feel for quite a while as we expect we ought to come to feel. The which means is a purpose of the greater 'transitive' elements of consciousness, the 'fringe' of relations which we experience surrounding the impression, be the latter sharp or dim. What almost certainly continues to be true, on the other hand, is that almost all Adult men Have got a fewer auditory and a more articulatory verbal creativeness than They can be apt to know about.
It's really a alternatively remarkable factor, as well, that the psychologists of Hume's have empiricist faculty have, for a rule, been additional guilty of the blindness than their opponents. A statistical inquiry on a big scale, into the versions of acoustic, tactile, and motor creativity, would probably bear less fruit than Galton's inquiry into visual pictures. Now we have contended all alongside with the affirmative reply to this issue, but will have to now cope with troubles bigger than any that have assailed us hitherto. To obtain a new subject of view for our object the outdated 1 have to vanish. The creativity of a blind-deaf mute like Laura Bridgman need to be confined solely to tactile and motor content. It isn't right up until their notice is expressly drawn to The purpose which they find it hard to say irrespective of whether auditory pictures or motor photos connected Using the organs of articulation predominate. If I slip in to the regular method of speaking, and talk of various Suggestions 'combining,' the reader will understand that This is often just for attractiveness and convenience, and he will not construe it right into a concession for the atomistic theory in psychology.
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